Fear Framing

Accompanying the Slow Violence exhibition, visitors to the gallery have been asked to write definitions of climate change onto a post-it note, and to share their definition on the wall. Visitors notes reflect a range of emotional responses to climate change, from anger to skepticism, and perhaps most fittingly, fear. Authors of the post-it notes express fear that climate change will “kill us … More Fear Framing

Jon Myers: People, Places and Empty Spaces

John Myers’ current exhibition of portraits and suburban landscapes, taken in the West Midlands in the 1970s, represents Myers’ personal, and yet depersonalized, relationship with his surroundings, his friends and acquaintances. The exhibition collects black and white images of the people and places that he encountered as part of his everyday activities. Myers’ stresses that … More Jon Myers: People, Places and Empty Spaces

Elizabeth Murton: Exhibition experiences

Participants in Saturday’s symposium were invited to experience activities to extend their appreciation of the themes that underlie Elizabeth Murton’s installation. Presentations on anatomy, meditation and architecture enabled visitors to develop a deeper appreciation of Murton’s work, and prompted them to look more closely at the installation and the space that it occupies. Armed with new knowledge, these … More Elizabeth Murton: Exhibition experiences

Permanent objects for temporary exhibitions

Permindar’s studio in the UH Art & Design building is currently littered with works-in-progress. There are interlinked copper rings blanketing a table, knitted foil in the corner, and various wooden and copper contraptions which support or enclose her ever-expanding selection of black and blue teddies.  She chooses not to work on one installation at a time, but … More Permanent objects for temporary exhibitions